Now he needs a bigger budget and a broader canvas. 6:57 PM PDT 8/10/2017 © Copyright 2020, Diabolique Magazine. Currently playing in British theaters after picking up positive festival buzz, The Ghoul also has a North American distribution deal in place with Arrow Films. Directed by Gareth Tunley. While Tunley proves adept at investing drab rooms and rainy streets with a steady hum of low-level menace, his squeezed budget inevitably saps some of the story’s potential energy. 0.
British writer-helmer Gareth Tunley makes an auspicious debut with this blend of Lynchian psychodrama with low-budget cop mystery. Tunley confirms his mastery of macabre moods here.
(Lowe, Tunley and Barratt and Farnaby, furthermore, all secured British Independent Film Award nominations for their efforts.). A partially successful journey into Lynch-lite territory. Terms of Use | 24 (July/Sep 2015), Diabolique Magazine No. About Our Ads
A set of interconnected writers and performers, mutually drawn to the dark or absurd, are currently having a moment in British film. Leslie Hatton fell in love with weird music and movies during countless hours spent watching Night Flight and listening to college radio as an impressionable teenager.
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Ghoul articulates the perils of hyper-nationalism, the way Get Out (2017) talks about racial discrimination.
He switches to a new therapist, the creepily jocular Moorland (Geoff McGivern), whose avuncular manner conceals a sinister interest in occult rituals, shadowy conspiracies and implanted memories. The Ghoul, Gareth Tunley’s feature debut, is a superb example of a movie that defines the word “genre.” Part detective story, part psychological thriller, it’s a film which also flirts with folk horror and noir as it tells the story of a man named Chris and his search for the truth.
Because the chief suspect is a property manager undergoing psychotherapy, Chris goes undercover as a patient himself in a bid to sniff out clues from their shared therapist, Fisher (Niamh Cusack). : The Pain & Beauty of Strange Advance, Sonic Seraphim: The Interstellar Voices of Klaus Nomi & King Diamond, The Bloody Chamber: Angela and the Wolf: On Angela Carter’s The Company of Wolves. Tom Meeten (Paddington) stars as Chris, an off-duty homicide detective summoned back to London to lend unofficial assistance to a former colleague puzzling over a mysterious robbery in which two elderly victims were shot at point blank range.
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| Cookie Settings. 2, “What ever happened to Gloria Hole?” An Interview with the Makers of Death Drop Gorgeous, The Cool Side of My Pillow Interview: A Trip Inside the Mind of Bruce Campbell, Saving the World From Quarantine Boredom, Pt. Add in a little witchcraft and you have the recipe for something truly magickal. They include multi-hyphenate Alice Lowe, whose directorial debut “Prevenge” recently opened Critics’ Week at Venice, and Steve Oram, Lowe’s co-star and co-writer in Wheatley’s “Sightseers,” who last year directed Lowe, Julian Barratt and Tom Meeten in the simian-madness comedy “Aaaaaaaah!.” Barratt and Simon Farnaby co-wrote the retro TV-focused satire “Mindhorn,” which recently premiered at the London Film Festival alongside “The Ghoul” — which also stars Meeten and Lowe.
It’s heartening to see alumni of such an an unstarry collective assume the positions of prominence in the British industry that have traditionally have been the preserve of Cambridge Footlights (and to a lesser extent Oxford Revue) comics. That startling image portends a seemingly casual question by another party guest that soon sends Chris, and the audience, into a state of confusion and panic. 6:57 PM PDT 8/10/2017 by Stephen Dalton FACEBOOK; TWITTER; EMAIL ME; YOUTUBE; A partially successful journey into Lynch-lite territory. Posted by: Leslie Hatton It marks the feature debut of actor-turned-director Gareth Tunley, known for his roles in Ben Wheatley’s early films Down Terrace and Kill List, with which it shares a certain threadbare retro-horror aesthetic. TWITTER 23 (Mar-May 2015), Alice Lowe and the Burden of Domesticity in Sightseers and Prevenge, Outlaw Gangster VIP: The Complete Collection (Blu-ray Review), Killer Dames: Two Gothic Chillers by Emilio Miraglia, Blood on Paper: Interview with Illustrator Graham Humphreys, Episode 2: Dead Teenager Movies: Lord Love a Duck, Massacre at Central High, and Heathers, Episode 30: The Strange Case of Dr. Jekyll and Miss Osbourne, Episode 6: What’s a Nice Girl Like You Doing in a Place Like This? These interviews give a lot of background on how the cast and crew are connected through the Edinburgh Comedy Festival. 'The Ghoul': Film Review. The commentary track with Tunley, Meeten, and producer Jack Guttman is informative and witty; they explain in detail how the film was made for almost no money, a revelation that is surprising considering the superlative nature of the finished product.
The truth, as both Chris and the audience learn, is never constant. Stephen Dalton All these talents got their start at the now defunct Ealing Live, an unassuming sketch and character comedy night in west London. Tom Meeten is marvellous at handling the subtle transitions between the Chris that the viewer thinks they know and the Chris that may or may not exist. All rights reserved.
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Tunley and cinematographer Benjamin Pritchard also create a seamless visual narrative overlaying the fractured storylines which comprise the plot. in Film Reviews, Slider Learn how your comment data is processed. He also proves to be an increasingly unreliable narrator whose detective backstory may be a delusional symptom of mental illness: “I’m off the force but I still solve crimes,” he protests, but Tunley’s teasingly opaque screenplay hints otherwise.
The Ghoul, Gareth Tunley’s feature debut, is a superb example of a movie that defines the word “genre.” Part detective story, part psychological thriller, it’s a film which also flirts with folk horror and noir as it tells the story of a man named Chris and his search for the truth. FACEBOOK The Ghoul opens with scenes of Chris (Tom Meeten) driving to London on the M1 in order to investigate a mysterious crime scene. Its twisty-turny psychological gymnastics should satisfy fans of oblique, “Lost Highway”-style material more than full-on horror-heads. ), Jaws boat to return on the 45th year anniversary of the movie.
26 (Apr/Jul 2017), Diabolique Magazine No.
It’s a marvellous existential exercise that’s suspenseful, heartbreaking, and unsettling. Sitemap | The Ghoul (2017): A very British Horror Film bringing to mind both Kill List and A Dark Ritual among other recent works. The Ghoul is an effective exercise in controlled suspense and gradually intensifying weirdness, but it never quite delivers on its mind-bending promise.
The blogs, as early writing often is, are subpar at best, so I took the liberty of correcting what I could here. Confessions of a Cineslut: Bell, Book and Candle (1958). © Copyright 2020 Variety Media, LLC, a subsidiary of Penske Business Media, LLC.
Strong reactions out of early U.K. fest screenings for the yet-to-be-acquired title — given an additional profile boost by the attachment of Ben Wheatley as executive producer — suggest a bid for a wider audience could reap rewards for an enterprising distributor. As deep-cover role-play begins to consume his entire personality, Chris becomes almost catatonic with depression. 25 (Jan/Mar 2016), Diabolique Magazine No.
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Chris and Jim (Dan Skinner) are two detectives tasked with figuring out why two murder victims wouldn’t stop approaching an armed intruder even after being shot six times.
Deceptively constructed, it’s not until some distance into the narrative that the audience can begin to wrap their heads around the way it has been put together — though to say too much more could spoil things for viewers. Here’s Why It’s Paying Off, ‘The Stand’ Boss on New Relevance, Changes to Stephen King’s Story, ‘The West Wing’ Title Sequence Takes on Trump as Cast Members Reunite on ‘The Late Show With Stephen Colbert’, Amber Ruffin on Reinventing Late Night and Dreaming Bigger, Netflix's Ted Sarandos on Expanding Animation, Global Vision and His Leadership Style, Spike Lee on Chadwick Boseman, Donald Trump and How Black and Brown People Rescued New York, Marvel and DC Movies Will Flood Theaters in 2021 and 2022 — If They Can All Be Made in Time, Buffalo Bill’s ‘Silence of the Lambs’ House of Horrors Hits the Market Again, Fox Hosts’ Post Trump Rally Analysis: ‘He Didn’t Cough’ Could Draw President’s Ire, How a New Generation of Chefs Has Made Peru’s Capital the Ultimate Dining Destination, Red Sox Owner Henry In Talks With RedBall to Take Fenway Sports Public, Having a Water Pitcher in Your Fridge Makes Staying Hydrated a Breeze.
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