and the editor of a series of collections of Benjamin’s texts intended for classroom use, including The Writer of Modern Life: Essays on Charles Baudelaire (2007); with Brigid Doherty and Thomas Levin, The Work of Art in the Age of its Technological Reproducibility and other Writings on Media (2008) ; and One Way Street (2016). 209 East Pyne Building, Princeton University Contact In addition to literature, he teaches on topics in cultural theory and the visual arts, with special emphasis on photography. Program in Humanistic Studies. After serving as Master of Rockefeller College from 1990-1999 and as Chair of the Department of German from 1999-2012, Jennings served as co-chair of the steering committee for Princeton University's decennial accreditation process (2011-2014). F: 609-258-5597. jennings@princeton.edu. and the editor of a series of collections of Benjamin’s texts intended for classroom use, including The Writer of Modern Life: Essays on Charles Baudelaire (2007); with Brigid Doherty and Thomas Levin, The Work of Art in the Age of its Technological Reproducibility and other Writings on Media (2008); and One Way Street (2016). He approaches cultural material from a perspective informed by historicist interpretive strategies and the critical theory of the Frankfurt School. © 2018 The Trustees of Princeton UniversityLast updated: July 7, 2014, Department of Art & ArchaeologyPrinceton University, 105 McCormick HallPrinceton, New Jersey 08544, Class of 1900 Professor of Modern Languages and Professor of German. Through its editions and publications, the German Department in Princeton has a strong focus on critical theory and early 20th century media theory. Class of 1900 Professor of Modern Languages and Professor of German. Email Address: jennings@princeton.edu. Jennings said that among the most competitive graduate programs, Princeton’s German department was “decidedly mediocre” on gender balance, but it’s something they seek to improve. He sits on the executive committee of the Program in European Cultural Studies and the Ph.D. He approaches cultural material from a perspective informed by historicist interpretive strategies and the critical theory of the Frankfurt School. He is the author of two books on Walter Benjamin: Dialectical Images: Walter Benjamin’s Theory of Literary Criticism (Cornell University Press, 1987), and, with Howard Eiland, Walter Benjamin: A Critical Life (Harvard University Press, 2014). Jennings is an Associated Faculty Member of the Department of Art and Archaeology, the Department of French and Italian, and the School of Architecture; he is a Faculty Associate of the Center for the Study of Religion. He also serves as the general editor of the standard English-language edition of Benjamin’s works, Walter Benjamin: Selected Writings (Harvard University Press, four volumes, 1996–2003), and the editor of a series of collections of Benjamin’s essays intended for classroom use, including The Writer of Modern Life: Essays on Charles Baudelaire (2007); with Brigid Doherty and Thomas Levin, The Work of Art in the Age of Its Technological Reproducibility and other Writings on Media (2008); and, with Miriam Bratu Hansen, One Way Street (forthcoming in 2014). https://german.princeton.edu/department/people/faculty/core/michael-jennings He is the author of two books on Walter Benjamin: Dialectical Images: Walter Benjamin’s Theory of Literary Criticism (Cornell University Press, 1987) and, with Howard Eiland, Walter Benjamin: A Critical Life (Harvard University Press, 2014). Phone: (609) 258-4133. Michael Jennings currently lives in Plano, TX; in the past Michael has also lived in San Diego CA.
209 East Pyne Building, Princeton UniversityContact. Michael Jennings focuses his teaching and research on European culture in the 20th century. https://artandarchaeology.princeton.edu/people/faculty/michael-w-jennings He has a special interest in theological aspects of modern European literature. Jennings serves as director of the Alexander Kluge Research Collection at Princeton and the co-director, with Ben Morgan and Anthony Phelan, of the Oxford-Princeton Research Collaboration in German. His published work includes articles on the theory of art history (Alois Riegl, Wihelm Worringer), modernism in its relationship to capitalist modernity (Robert Musil, Franz Kafka, Uwe Johnson), Weimar culture (Berlin Dada, Alfred Döblin, Thomas Mann, forms of literary criticism), 18th-century aesthetics (Sturm und Drang, J. M. R. Lenz, Friedrich Hölderlin), modern media (print culture and modernism), and German photography (László Moholy-Nagy, August Sander, Albert Renger-Patzsch, Michael Schmidt). Michael W. Jennings. Jennings is an associated faculty member of the Department of Art and Archaeology and the School of Architecture and a faculty associate of the Center for the Study of Religion. Michael Jennings focuses his teaching and research on European culture in the twentieth century. One former graduate student said that he never personally felt any discrimination, even as an openly gay man. He is currently at work on a critical biography of the author, filmmaker, and social theorist Alexander Kluge. Michael Jennings focuses his teaching and research on European culture in the twentieth century. He is the editor, with Detlef Mertins, of a facsimile edition of the avantgarde journal G: Journal of Elemental Form-Creation, (Getty Research Institute, 2010); with Tobias Wilke, of a special issue of Grey Room on Walter Benjamin and the Theory of Media; and with Stanley Corngold, of a special issue of Monatshefte on Kafka's Late Style. He sits on the Executive Committee of the Program in European Cultural Studies.
He also serves as the general editor of the standard English-language edition of Benjamin’s works, Walter Benjamin, Selected Writings (Harvard University Press, four volumes, 1996ff.) Walter Benjamin. In addition to literature, he teaches and writes on topics in cultural theory and the visual arts, with special emphasis on photography. Michael Jennings serves as the general editor of the standard English-language edition of Benjamin’s works. 209 East Pyne Building. In addition to literature, he teaches on topics in cultural theory and the visual arts, with special emphasis on photography. He sits on the Executive Committee of the Program in European Cultural Studies. His published work includes articles on the theory of art history (Alois Riegl, Wihelm Worringer), modernism in its relationship to capitalist modernity (Robert Musil, Franz Kafka, Uwe Johnson), Weimar culture (Berlin Dada, Alfred Döblin, Thomas Mann, forms of literary criticism), eighteenth-century aesthetics (Sturm und Drang, J.M.R. 209 East Pyne Building, Princeton University Contact © 2019 The Trustees of Princeton University, Interdisciplinary Doctoral Program in the Humanities • Princeton University He is the coeditor, with Detlef Mertins, of a facsimile edition of the avant-garde journal G: Journal of Elemental Form-Creation (Getty Research Institute, 2010); with Uwe Steiner, of a volume of essays on Uwe Johnson’s Jahrestage (forthcoming from Wilhelm Fink Verlag); with Tobias Wilke, of a special issue of Grey Room on Walter Benjamin and the Theory of Media; and, with Stanley Corngold, of a special issue of Monatshefte on Kafka’s Late Style. He approaches cultural material from a perspective informed by historicist interpretive strategies and the critical theory of the Frankfurt School. Lenz, Friedrich Hölderlin), modern media (print culture and modernism), and German photography (Laszlo Moholy-Nagy, August Sander, Albert Renger-Patzsch, Michael Schmidt). Jennings is an Associated Faculty Member of the Department of Art and Archaeology, the Department of French and Italian, and the School of Architecture; he is a Faculty Associate of the Center for the Study of Religion. Michael W. Jennings Class of 1900 Professor of Modern Languages, Professor of German. He also serves as the general editor of the standard English-language edition of Benjamin’s works, Walter Benjamin, Selected Writings (Harvard University Press, four volumes, 1996ff.) Michael Jennings focuses his teaching and research on European culture in the twentieth century. 207 Scheide Caldwell House • Princeton, NJ 08544, Class of 1900 Professor of Modern Languages, Professor of German, © 2020 The Trustees of Princeton University, Invisible Hover - DO NOT DELETE OR MODIFY. He is the author of two books on Walter Benjamin: Dialectical Images: Walter Benjamin’s Theory of Literary Criticism (Cornell University Press, 1987) and, with Howard Eiland, Walter Benjamin: A Critical Life (Harvard University Press, 2014). Michael W. Jennings Class of 1900 Professor of Modern Languages, Professor of German.
He is a member of the Editorial Board of the journals Vermischte Nachrichten: Alexander Kluge-Jahrbuch; Transit: A Journal of Travel, Migration, and Multiculturalism in the German-Speaking World; links: Rivista di letteratura e cultura tedesca; and Cultura: International Journal of Philosophy and Culture. Summary: Michael Jennings is 42 years old and was born on 11/04/1977. T: 609-258-4133. In addition to literature, he teaches and writes on topics in cultural theory and the visual arts, with special emphasis on photography.
Jennings serves as Director of the Alexander Kluge Research Collection at Princeton University and the Co-Director, with Ben Morgan and Anthony Phelan, of the Oxford-Princeton Research Collaboration in German. He is currently at work on two book projects: studies of the German photo-essay in the 20th century and of calendrical forms in the German culture of the 1970s.
(link sends e-mail) He sits on the executive committee of the International Walter Benjamin Society and the Uwe Johnson Association, and on the editorial board of the journals Transit: A Journal of Travel, Migration, and Multiculturalism in the German-Speaking World; LINKS: Rivista di letteratura e cultura tedesca; and Cultura: International Journal of Philosophy and Culture. He serves as co-chair of the Executive Committee of the International Walter Benjamin Society and sits on the Executive Committee of the International Uwe Johnson Association.
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