[6], David Keyes, writing at cinemaphile.org in 2002, saw the film as a seminal entry in its genre: "Aside from its very evident approach as a crowd-pleasing popcorn flick, the movie is one of the original shells for identity-inspired mystery thrillers, in which natural human behavior is the driving force behind the true macabre rather than supernatural elements. The rest was complete by early November. Here we encounter Guy Haines and Charles Anthony Bruno, passengers on the same train. He immediately sent his agen. With cast nailed down, a script in hand, and a director of photography in tune with Hitchcock's vision on board, the company was ready to commence filming. Some things were changed from Patricia Highsmith's debut novel -- the characters are now moving up and down the Northeast Corridor by train, rather than Texas and Oklahoma -- but the conflict of the naive young man meeting the psychopath Bruno, by accident, remains intact. "[28], Principal photography wrapped just before Christmas, and Hitchcock and Alma left for a vacation in Santa Cruz,[26] then in late March 1951, on to St. Moritz, for a 25th anniversary European excursion. Some people are better off dead.") It’s a very good film too, effectively staged, full of interesting scenes and characters, with first-rate camerawork and atmospheric lighting; Hitchcock builds the tension well throughout the film’s 96 minute duration. Guy dismisses it all out of hand, but Bruno goes ahead with his half of the "bargain" and disposes of Miriam. HaHa! Regal "[43] "This was good stuff for press agents paid to stir up thrills and it has been repeated in other books to bolster the idea of Hitchcock's sadism,"[36] but "we were [only] up there two or three minutes at the outside.... My father wasn't ever sadistic. |. Reviewed in the United States on September 11, 2020. "Preferences in food characterize people..." Hitchcock said. [43] First of all, she was not up there alone: flanking her were the actors playing Miriam's two boyfriends — "and I have a picture of us waving. He immediately sent his agents to purchase the film rights from Highsmith, which she agreed to for a paltry $7,500. A lively and informative new podcast for kids that the whole family will enjoy! It is number 32 on AFI's 100 Years... 100 Thrills. The world of Patricia Highsmith has always been filled with ordinary people, all of whom are capable of very ordinary crimes. with any force or conviction. The script is adapted superbly well by Whitfield Cook from a novel by Patricia Highsmith.This is really one of Hitchcock's most interesting films from a technical perspective while also providing more than enough laughs, suspense, and thrills to keep just about anybody engaged.10/10.
Cinemark Her suspicions aroused, Anne confronts Guy, who tells her the truth about Bruno's crazy scheme. It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951. Coming Soon. The worker who recognized Bruno tells the police chief that he has never seen Guy before. Written by Reviewed in the United States on September 4, 2016. He's the one who killed her. One studio press release gave rise to a myth that still lingers on today. The merry-go-round scene is not in the book, but is taken from the climax of Edmund Crispin's 1946 novel The Moving Toyshop. After winning a match at Forest Hills, Guy eludes the police and heads for the amusement park to forestall Bruno. Strangers on a Train is an admirable demonstration of Alfred Hitchcock's virtuosity in the area of suspense dramas. This was Patricia Highsmith’s first novel, initially published in 1950, and most often credited as being the first “Murder Swap” novel! Hitchcock said that correct casting saved him "a reel of storytelling time", since audiences would sense qualities in the actors that did not have to be spelled out. "[35], The final scene of the so-called American version of the film has Barbara and Anne Morton waiting for Guy to call on the telephone. These disturbing sounds, heard to superb effect in cues such as 'The Meeting,' 'Senator's Office,' and 'Jefferson Memorial,' are not just about Bruno, but about how he is perceived by those whose lives he crosses—first Guy, then everyone in Guy's entourage."[37].
| Rating: 9/10 Alfred Hitchcock: The Ultimate Collection. The film starts out pretty promising in its subtle intensity, but as things progress, momentum dips, yet not so deeply that compellingness isn't salvaged time and again, from the depths of a small-scale, though still pretty worthy idea. |, August 20, 2019 "[29], Hitchcock was, above all, the master of great visual setpieces,[32] and "[p]erhaps the most memorable sequence in Strangers on a Train is the climactic fight on a berserk carousel. Fast, exciting, and woven with wicked style, this is one of Hitchcock's most efficient and ruthlessly delicious thrillers.
Reviewed in the United Kingdom on December 23, 2017. Yet as Bruno describes his "theories" over lunch, "Guy responds to Bruno — we see it in his face, at once amused and tense. Please click the link below to receive your verification email.
Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. [36], Composer Dimitri Tiomkin was Jack Warner's choice to score Strangers on a Train. Guy humors Bruno by pretending to find his idea amusing, but is so eager to get away from Bruno that he leaves behind his engraved cigarette lighter, which Bruno keeps.
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